Mon 5/16715p: In a Nutshell: A Portrait of Elizabeth Tashjian Tue 5/17715p: Call It Democracy |
Wed 5/18730p: The Loss of Nameless Things Thu 5/19715p: Ears, Open. Eyes, Click Fri 5/20730p: Scared Sacred |
![]() |
|
| Home |Schedule | General Info | Archive | |
|
Friday, May 6th & Saturday, May 7th
From artists' models to muses, from hetaira to geishas, sex workers have been vital participants in arts communities through the centuries. Despite their influence on the arts and culture, polite societies rarely acknowledge the contributions of the demimonde who have also been painters and poets themselves. Lately a growing number are working in contemporary media, film and video, and performing in solo, ensemble theater and in burlesque revues.. Sex worker art festivals and
ALSO SHOWING
Cecil Taylor All the Notes Cecil Taylor is one of the great liberators of contemporary music. Like Thelonius Monk and Ornette Coleman, Taylor follows in the tradition of Charlie Parker, creating a streaming liberty that is as powerful as any artistic expression in modern culture. Ageless and lionized, Taylor is the winner of a MacArthur genius award and his artistry appears to date in more than 200 recordings. Filmmaker Christopher Felver gets up close and personal with this master pianist, gaining unprecedented access to Taylor’s Brooklyn home/workplace, exploring his often stentorian pronouncements on life, art, music and memories, and a backstage meeting with his old friend Mal Waldron. The film is an intimate portrait of one of the greatest living jazz pianists. Directed by Christopher Felver. USA. Runningtime: 70 minutes. Showtimes: Nightly at 6:30, 8:00 & 9:30 with Wed, Sat & Sun. mats at (2:00), 3:30 & 5:00. "An inspiring document of an artist whose legacy has been shamefully downplayed in other recent music documentaries (most notably Ken Burns's 2001 series Jazz)." -- SF Bay Guardian
ALSO SHOWING
The Film Arts Foundation co-presents:
"The Girl from Monday embodies maverick filmmaker Hal Hartley's signature use of a calculated aesthetic and frank dialogue. It may surprise die-hard fans with its sexual explicitness and playful tone. Hartley himself calls it a "fake sci-fi movie," but in keeping with his reputation, he has loaded The Girl from Monday with provocative ideas.
A creature drops into the ocean from a distant constellation called Monday. She inhabits the body of a stunningly beautiful girl and begins a search for her friend, whom she expects is in trouble. The world, as it exists, is in turmoil. It is after the "great revolution," and prominent executive Jack Bell is not eager to turn her in. He is struggling with his own demons after helping orchestrate the dictatorship of the new city-state and establishing the Human Value Reform Act. Citizens are now a public offering on the stock exchange: each time they have sex and remain unattached, their value increases.
Paralleling this future world to our own fills The Girl from Monday with irony. The film's "special effects" consist in the fact that it is sexy, fun, and exhilarating. But don't think you can escape without thinking."-- John Cooper, Sundance Film Festival. SEE THE TRAILER NOW!
The Girl From Monday includes Sabrina Lloyd from the new hit CBS show
"Numbers," Bill Sage, Leo Fitzpatrick, Tatiana Abracos, and Edie Falco. Written & Directed by Hal Hartley. DV. USA. 2005. Runnting time: 84 mins. Nightly at 6:00, 8:00 & 10:00 with Sun. mats at (2:00) & 4:00.
"Attention-grabbing. -- Robert Avila, SF Bay Guardian
Thursday, May 12
S.F. Doc Fest
Mana: Beyond Belief Mana is Polynesian for “power object”—the things we invest with an often-mystical significance. Sometimes it’s religious, like the Shroud of Turin; sometimes it’s patriotic, like the American flag; and sometimes it’s pretty absurd, like Graceland. Friedman and Manley’s glorious film weaves a web across the world, connecting power objects from Elvis to Buddha, from the cherry blossoms of Japan to a lowrider’s Chevy in New Mexico, with stops in Africa, India, New Zealand and Elsewhere. Blissfully exposition-free, the film simply unfurls, presenting the spectacle of people worshipping stuff with sly, zenlike calm and absolutely astonishing cinematography. Sure to be the next RIVERS AND TIDES-like phenomenon, it’ll give you a buzz you won’t shake for a long time. Official Site. Directed by Peter Friedman, Roger Manley 2004, USA, 92 min. Buy Tickets Showtime: 7:30 Only! Check out more of Doc Fest running 5/12 - 19!
Friday, May 13 - Thursday, May 19
Girl Play When Gabriel (Dom Deluise) casts Robin and Lacie to play lesbian lovers in his latest production, he unwittingly sets in motion a true life lesbian drama. Robin is in a lesbian marriage of six years, while Lacie prefers to play the field. But as rehearsals progress, the two women find themselves drawing closer and closer. At the same time, they each have nagging doubts as to whether their attraction is real or just acting. After the first night ’s successful performance, their emotional dams finally burst . . . Director: Lee Friedlander With Robin Greenspan, Lacie
Harmon, Mink Stole, WINNER!
"The characterizations are realistic and honest. An admirable film."
ALSO SHOWING
Cecil Taylor All the Notes Cecil Taylor is one of the great liberators of contemporary music. Like Thelonius Monk and Ornette Coleman, Taylor follows in the tradition of Charlie Parker, creating a streaming liberty that is as powerful as any artistic expression in modern culture. Ageless and lionized, Taylor is the winner of a MacArthur genius award and his artistry appears to date in more than 200 recordings. Filmmaker Christopher Felver gets up close and personal with this master pianist, gaining unprecedented access to Taylor’s Brooklyn home/workplace, exploring his often stentorian pronouncements on life, art, music and memories, and a backstage meeting with his old friend Mal Waldron. The film is an intimate portrait of one of the greatest living jazz pianists. Directed by Christopher Felver. USA. Runningtime: 70 minutes. Showtimes: Nightly at 6:30, 8:00 & 9:30 with Wed, Sat & Sun. mats at (2:00), 3:30 & 5:00. "An inspiring document of an artist whose legacy has been shamefully downplayed in other recent music documentaries (most notably Ken Burns's 2001 series Jazz)." -- SF Bay Guardian
Monday, May 16 - Fridday May 20th I came across this quote from Jean Renoir a few months ago in Film Comment magazine (thanks, Kent Jones!): “Reality is always magic.” Eureka! A documentary film festival tagline if I ever heard one. So that’s what we went looking for—that place where magic and reality meet head-on: a whale bone found buried under a Toronto street; a nut museum in Connecticut; a mine museum in Cambodia; the mysteries of old snapshots; a 15-year-old Southern Baptist sex education activist from Lubbock, TX; kids who feel no pain; a homemade machine called the Forevertron; Elvis impersonators and statues of Buddha; refrigerator poetry and Christian rock. And so we present the fourth San Francisco Documentary Film Festival, ten days of reality, magic and everything in between. - Tod Booth.
|
Mon 5/16715p: In a Nutshell: A Portrait of Elizabeth Tashjian Tue 5/17715p: Call It Democracy |
Wed 5/18730p: The Loss of Nameless Things Thu 5/19715p: Ears, Open. Eyes, Click Fri 5/20730p: Scared Sacred |
Fri 5/20730p: Scared Sacred |
|
Check out June at The Roxie
| ||
|
Home |Schedule | General Info | Contact Us | Archive | Free Calendar | Links Roxie Cinema 3117 16th Street (at Valencia Street) San Francisco, CA 94103 tel: (415) 863-1087 e-mail: rickaren@earthlink.net © 2005 Roxie Cinema. All rights reserved. | ||