CAAMFest 2025: Palestinian Landscapes

Palestinian Landscapes brings together two powerful films exploring empire, ecology, and resistance. Razan Alsalah’s A Stone’s Throw evokes dreamlike cycles of displacement and return across fragmented geographies shaped by resource and labor economies. In Foragers, Jumana Manna traces the criminalization of foraging in Palestine, revealing how colonial legal systems regulate access to land and tradition. Together, these films offer poetic and political meditations on landscape as both a site of control and a ground for resilience. Through intimate gestures and expansive visions, Palestinian Landscapes asks: who defines the land and who belongs to it?

Director Razan Alsalah will be in attendance for the screening + Q&A.

A STONE’S THROW – Razan Alsalah

• CANADA, LEBANON, PALESTINE
• ARABIC, ENGLISH
• SUBTITLED
• 40 MINS
• WEST COAST PREMIERE

Amine, a Palestinian elder, is exiled twice, from land and labor, from Haifa to Beirut to a Gulf offshore oil platform. “A Stone’s Throw” trespasses borders to reveal an emotional and material proximity between the extraction of oil and labour in the region and the Zionist colonization of Palestine. The film rehearses a history of the Palestinian resistance when, in 1936, the oil labourers of Haifa blow up a BP pipeline.

FORAGERS – Directed by Jumana Manna

• 65 MINS

‘Foragers’ depicts the dramas around the practice of foraging for wild edible plants in Palestine/Israel with wry humor and a meditative pace. Shot in the Golan Heights, the Galilee and Jerusalem, it moves between fiction, documentary and archival footage to portray the impact of Israeli nature protection laws on these customs. The restrictions prohibit the collection of the artichoke-like ’akkoub and za’atar (thyme), and have resulted in fines and trials for hundreds caught collecting these native plants. For Palestinians, these laws constitute an ecological veil for legislation that further alienates them from their land while Israeli state representatives insist on their scientific expertise and duty to protect. Following the plants from the wild to the kitchen, from the chases between the foragers and the nature patrol, to courtroom defenses, ‘Foragers’ captures the inherited love, joy and knowledge in these traditions alongside their resilience to the prohibitive law. By reframing the terms and constraints of preservation, the film raises questions around the politics of extinction, namely who determines what is made extinct and what gets to live on.

Co-commissioned by BAMPFA The Berkeley Art Museum and Pacific Film Archive, BAK basis voor actuele kunst, Utrecht; and The Toronto Biennale (2022). Supported by Arab Fund for Arts and Culture – AFAC, The Fritt Ord Foundation, Arts Council Norway – Kulturrådet.