Must end May 9
Newly restored in 4K from the original camera negative by Cineteca di Bologna in collaboration with Minerva Pictures under the supervision of Fondazione Bernardo Bertolucci.
“Bertolucci’s boldest and most expressive film.” – Calum Marsh, Village Voice
“It’s easy to overlook how stark The Conformist‘s political and allegorical message is because it’s just so damn beautiful.” – Vox
In Mussolini’s Italy, repressed Jean-Louis Trintignant, trying to purge memories of a youthful, homosexual episode – and murder – joins the Fascists in a desperate attempt to fit in. As the reluctant Judas motors to his personal Gethsemane (the assassination of his leftist mentor), he flashes back to a dance party for the blind; an insane asylum in a stadium; and wife Stefania Sandrelli and lover Dominique Sanda dancing the tango in a working class hall. But those are only a few of this political thriller’s anthology pieces, others including Trintignant’s honeymoon coupling with Sandrelli in a train compartment as the sun sets outside their window; a bimbo lolling on the desk of a fascist functionary, glimpsed in the recesses of his cavernous office; a murder victim’s hands leaving bloody streaks on a limousine parked in a wintry forest. Bernardo Bertolucci’s masterpiece, adapted from the Alberto Moravia novel, boasts an authentic Art Deco look created by production designer Ferdinando Scarfiotti, a score by the great Georges Delerue and breathtaking color cinematography by Vittorio Storaro.
Directed by Bernardo Bertolucci. Written by Alberto Moravia, Bernardo Bertolucci & Lee Kresel. Cinematographer: Vittorio Storaro. Art Director: Ferdinando Scarfiotti. Starring Jean-Louis Trintignant, Stefania Sandrelli, Dominique Sanda & Gastone Moschin. Aspect Ratio: 1.66:1.